Lives and works in Amsterdam.
Since 1998 Meher’s art practice involves various disciplines. The most significant one is ‘Performance Art’. Decay, hybridization & transformation: Creating new identity; reshaping belongings; intimacy; a dialogue of matter and memory all these constitute the language of her work. “Time” as a factor, is central to her practice, whether it’s a wrapped object or a performance. She uses time as medium, which is extended, assembled and captured. The aspects of continuity, repetition, vulnerability, duration, temporality, awareness, situation and public involvement are also inherent qualities that inform her art practice. The process before and after the performance is equally important and challenging.
Meher graduated in Fine Arts from Sir J. J. School of arts, Mumbai. She received ‘Unesco -Aschberg’ residency in Vienna 1998, Rijksakademie Van Beeldende Kunsten 2000-‘01, Amsterdam and ‘Casa Masaccio’ San Giovanni Valdarno, Tuscany, Italy 2012. She performed and exhibited her work internationally; at Tate modern, Sinop Biennale Turkey, Rijksmuseum Twenthe, Khoj Live New Delhi, DaDao Beijing, Art Dubai, ‘Rebelle’, MMKA Arnhem, NRLA Glasgow, bLA Amsterdam, Prague Biennale 5th, MAXXI museum Rome, Guangzhou Live 11 China, Infr’action Sete, France, LA 7 Gothenburg Sweden, IPA Istanbul modern museum, 4th Thessaloniki Biennale, University UFO & Sustainability 2014, Ghent, Belgium, Venice International experimental cinema and performance art festival, Bochum kunstmuseum Germany, ICASTICA ’13, Arezzo Biennial, Italy where she received the prestigious ‘Golden Chimera Award’ for the innovation and originality, in 2016 performed for ‘Ritual Traces’ SAWCC NY, Biennale Arte Dolomiti, Italy and DAK’ART 2016.
Meher received LIVE Funds 2009 by BKVB Amsterdam. In 2011 she manifested ‘The Bridge Is Open’, public Space installation under Willem’s bridge, Haarlemmerpoort, Amsterdam; funded by Amsterdam Fonds voor de Kunst, Fonds BKVB, Co-operated by DIVV, DOCK Stadsdeel West.
Monali Meher. Guangzhou Live 2. 2011.